Monday, August 13, 2012

Eggshells, Seashells, and A Long One - Just SOLD!!



"Eggshells" 6 x 12 Oil on Panel SOLD out of Shelley's International before it was finished!


"Long Ensemble Cast II" 10 x 30 Oil on Linen 2005 - SOLD out of Shelley's International


16 x 36 Study of Lake George from the west shore - SOLD out of Shelley's International


6 x 8 Mini SOLD out of Shelley's International


Recent Seashell Commission 8 x 16 - SOLD

For those of you who are looking here to see which paintings are up for auction, I will have some up this week. I have just been extremely busy....thankfully!



Sunday, August 5, 2012

Donut Peaches


I'm in the middle of working on a portrait comission and have had no time to work on these minnies, so this will have to be the last one that is up for auction for a few weeks. Minnies will be back on ebay the first week of Sept!

*I took this one down because it is going to a gallery I just got into. I will never end an auction on ebay if the painting has a bid on it.


Saturday, July 28, 2012

Lake George Mirror Article on Shelley's International


So this is my second article in a newspaper this year. No, it wasn't the New York Times thankfully. I've read their articles on art, I don't think I could handle the rejection, and since I have some idea of what I am doing, I know they wouldn't like it.
This was a wonderful article on the gallery, myself, Jeff, and Jordan.



Sunday, May 20, 2012

New Orleans Street Corner


I'm trying to do more cityscape and landscape painting. It gets me out of the studio. Here is a quick sketch I did of a street corner in New Orleans in the French Quarter.

I toned the panel with black gesso. I love doing night scenes on black canvas and pulling out just the lights.

New Orleans is also one of my favorite places to visit....I can get enough of those beignets they have at the Cafe Du Monde, not to mention the Gumbo.

6x8 Oil on Panel
SOLD


Tuesday, May 8, 2012

Old Holland Peppers



I've never seen a pepper this color before! It's called a Brown Holland Pepper, actually they are both Holland peppers, but this one looked more like a brick red. I really had fun painting them.
It's up for auction!

SOLD



Sunday, May 6, 2012

New Minnies!


Grapes & Swiss


Coconut & Red Bananas


Brown Eggs III


Apple and Grapes


Teacup of Strawberries



Teacup of Limes

All are 6 x 8 Oil on Panel!


Friday, April 27, 2012

Orange Japanese Teapot & Grapes






When I first started painting, teapots were the first items I bought. Japanese Teapots are my favorite kind to paint. I probably have over a dozen at this point of all different shapes and sizes. I recently decided to go back to painting them. This is the first of what I plan to be several new teapot paintings.
10 x 20 Oil on Panel

SOLD


Wednesday, April 25, 2012

Solo Exhibition - Lyceum Hall Center For The Arts in NJ



LYCEUM HALL Center For The Arts
T h e  H e r m a n T . C o s t e l l o Center For The Arts



Clinton T. Hobart

Select Works

May 18th - June 12th, 2012
Please join us to experience Clinton Hobart’s recent paintings.
Opening and Reception - Friday, May 18th, 6pm - 10pm
432 High St.
Burlington, NJ 08016


Saturday, April 7, 2012

Artists Wanted in Times Square





I set up a profile on this Artist's Wanted website. They claim to be having a big show in NY and there is 10,000.00 in prize money available. I have no delusions about winning, I already know who will win. The winner will be someone in their late twenty's early thirties who started out in the fine art department of a NYC art school. After doing drugs for four straight years rather then painting or drawing, he, she, or it, sobered up just enough to get a job in retail or at one of the trendy clubs in the city. Having the desire to be an "Artist", but not the ability, they went out to buy a brand new camera, and a new found love of photography. While strolling around the city taking pictures of store windows, empty McDonald's cups, and peoples feet, they took the prize winning shot of barbed wire, and gave it some clever title relating to how "the man" keeps us all locked in.... I, on the other hand, spent all that time struggling at home in my studio, trying to learn how to draw and paint, and reading books, so how can I expect to compete with a brilliant photo of barbed wire.
The winner is based on how many people "collect" you so it is already more of a popularity contest rather then a competition....
Why might you wonder, am I entering? Prize money!!! People play the lotto all the time. I'd rather bet on myself...even if the odds are slim. And i'm posting it, just in case some of you out there are sick of the "barbed wire" as well.

Click the link below to visit my page on the site.




Saturday, March 31, 2012

"Aloha" 12 x 18 Oil on Panel


As of right now I would have to say that a pineapple is the hardest thing I have ever tried to paint. They change colors every day going from bright green to a yellow brown. The mango keeps getting redder which is nice and the coconut will rot overnight if you don't keep it refrigerated....basically, you have to paint FAST.


Step 1. The Drawing: I draw with a brush using a mixture of burnt umber and white. I start with a value just slightly darker than my canvas tone. I usually do three drawings getting slightly darker with each drawing.

Step 2. Make it round: Once I start filling it in with paint, I work from the darks to the lights in strips or bands of value. Everything that turns goes from dark to halftone to light. The first step of painting something round is to.... make it round. If a round object does not look round early, all of the detail in the world will not make it work.


I paint living objects in the order in which they will rot. If I am working on objects that will not rot, I work from the background to the objects closest to me.

I waited on painting the mango because I knew it would get more red as time went on.


At this point the painting felt like it was missing something....It needed more personality so I added some Key Limes.


After I put down the first layer of paint I coat the objects with pure linseed oil and then wipe it down gently with a paper towel. I then paint again into the wet surface. You can get some terrific results with this technique.


At this point the pineapple is unrecognizable but it will still cast the right shadows.


A few finishing touches left....

This painting was part of The International Guild Of Realism Show at the Jones & Terwilliger Gallery in Carmel, CA